408 research outputs found

    La topographie lĂ©gendaire des Évangiles en Terre Sainte: Ă©tude de mĂ©moire collective

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    Esquisse d'une psychologie des classes sociales

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    La mémoire collective

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    Understanding young people's transitions in university halls through space and time

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    This article contributes to the theoretical discussion about young people's transitions through space and time. Space and time are complex overarching concepts that have creative potential in deepening understanding of transition. The focus of this research is young people's experiences of communal living in university halls. It is argued that particular space-time concepts draw attention to different facets of experience and in combination deepen the understanding of young people's individual and collective transitions. The focus of the article is the uses of the space-time concepts 'routine', 'representation', 'rhythm' and 'ritual' to research young people's experiences. The article draws on research findings from two studies in the North of England. © 2010 SAGE Publications

    Testimony and the Affirmation of Memory in Kazuo Ishiguro's Never Let Me Go.

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    In the alternative world of Kazuo Ishiguro's Never Let Me Go, Kathy, Ruth, and Tommy must find ways to hang on to the precious memories of their childhood. The affirmation of shared memories of Hailsham unites them, and the collective memories of the clones serve as testimonies to their plight in servitude to humankind. This examination of the novel provides a glimpse into Ishiguro's profound and elegiac work of memory

    The stories we tell: uncanny encounters in Mr Straw’s house

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    During my first visit to Mr Straw’s House, a National Trust Property in the North of England, I was intrigued by the discrepancies between the narrative framework provided by the National Trust – its exclusions, silences and invisibilities – and the far more complex stories the house seemed to tantalisingly hint at. As a scholar I am drawn to certain sites and affectively engage with them and yet I usually keep silent about my investment which informs not only my interest but also how I read these heritage sites. My aim here is not primarily to interrogate my own investment, but to ask how productive it is, what it enables me to see and to describe and where its limits are. This case study explores a particular tourist attraction from the perspective of storytelling and asks what narratives can be constructed around, and generated through, the spatial-emotional dimensions of this heritage site. I am interested in the hold sites have over people, why and how they provoke imaginative and empathic investment that generates a network of stories and triggers processes of unravelling which have the potential to transform silences and unmetabolised affect into empathy and emotional thought
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